I went to First Site in search of Aleksander Morris’s Memory Tides. I got a taste of the show at this year's Emerging Artist Awards and was keen to see how it would come together in its entirety. I came away loving every moment of the four shows on view at the moment. The through line flowing through them makes it hard to focus on only one. In having them all together in that subterranean space - cool and dry where Melbourne couldn’t decide if it should pour or shine outside, tram rattles and street chatter filtering through the open door - the shows amalgamated, becoming more than their own islands of memory and grief. 

We've been at it for a year (ish. like a high school couple, we have many anniversaries). Please enjoy our first video as we look back on writing about art, what criticism means to us, and what you can look forward to! I’m so proud of what we’ve achieved as Lowbrow so far, and we have so many exciting things still to come. Shout out to both of our Mums for being our biggest fans since day one, all of our wonderful supporters (including two ex-boyfriends), RMIT for bringing us together, and ourselves for making it happen week in week out.

We went to see Weightless Matter at Oddaný directly after visiting the Affordable Art Fair. Let me tell you those two experiences couldn’t be further apart even if they tried. But I’m decidedly not going to tell you about the Kmart stock room we found at the exhibition building masquerading as “affordable”, instead I’m going to tell you about Ava Nunan’s poetic responses to Max Frances’ abstract paintings currently on show at Oddaný.