LOWBROW
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LOWBROW •
Intended or not, I couldn’t keep the Catholic Church out of my mind at every Design Week event I’ve attended. Between the stained glass ceiling of the NGV’s Great Hall evoking cathedrals, and the inherent, site based religiosity of both Alpha60’s Chapter House playing host to Jon Goulder and the Abbotsford Convent, Christianity was omnipresent in a way that contemporary art and design eschews.
Jesse Boylan, Isabella Capezio, Jody Haines, Pia Johnson, Katrin Koenning, Christine McFetridge, Rebecca Najdowski, and Clare Rae are part of Correspondences, currently on view at Hillvale Gallery. The artists and their works blend - it was a breath of fresh air to have the works genuinely talk to each other, rather than yell from their own corners of a room.
It is with full confidence that I can say not a single art gallery on Gertrude Street is lowbrow. I mean, it’s Fitzroy: of course they aren't. This week though, I went back to my art history roots, and took a look at A Seat at the Table from Art & Collectors. Spanning 101 years (the oldest work a floral still life from 1925, the most recent a self portrait dating from this year) the exhibition is a snapshot of female Australian artists. At first glance, the show is filled with the prerequisite floral still lives, self-portraits, and snippets of home life that come with the territory of a broad subject matter like simply “female artists.” It's when you look through the works, take them in one by one that you see that this is a show of echoes – artists are echoing each other and themselves, calling out through the decades to continue a conversation.
You might be wondering, if we’re reading John Berger, why aren’t we reading Ways of Seeing? Quite frankly, great question and I’m glad you asked. Between the TV series (which I am not opposed to including in Bottom Shelf at some point) and how ubiquitous the text is in studying art and art history at any level, I don’t feel that I had much to add to the discussion. Permanent Red, on the other hand, was Berger’s first book, published in 1960. Reading his early criticism, his thoughts and arguments with himself, there’s a lot to identify with and unpack. Berger is an expansive author, winning prizes for his criticism and even the Booker Prize for his fiction, he’s also an author that feels unwieldy, so the beginning is where I will enter into the bibliographical fray.
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Galleria Crocodillo has no art on their walls for the month of May. Instead they’ve staged a scavenger hunt across the streets of the affectionately known ‘Presevoir’ (Preston / Reservoir for those not in the know). The starting point is a $2 map purchased from a vending machine that blocks the door of the gallery space. This map gives you ten destinations across Plenty Rd in Reservoir and High St in Preston to explore. Each destination is matched with a clue. Not only is this a scavenger hunt, but it’s equally a puzzle; the clues are also riddles that have you searching high and low, and the prize in this case is the art from these local artists.